Eoin Purcell’s Blog

Eoin Purcell

Sara Lloyd over at the Digitalist (PanMacmillan’s digital team’s blog) has started a really exciting series on the future of publishers. There are some amazing thoughts even in the first one which quite expertly puts the case for all forward looking publishers:

We will need to think much less about products and much more about content; we will need to think of ‘the book’ as a core or base structure but perhaps one with more porous edges than it has had before. We will need to work out how to position the book at the centre of a network rather than how to distribute it to the end of a chain.

Hard to disagree with that I think. But what of this:

There are two areas of activity in the linear progression of a text between author and reader which have previously remained hidden to the reader: the development of the text itself; the writing and editing process, and the sales, marketing and distribution of the text. Readers have traditionally had no role in the former and only a limited role in the latter, through word of mouth recommendations or viral marketing. It is likely that today’s digital natives, who have become ‘prosumers’ (producer / consumers) with alarming speed and perhaps even more alarmingly different levels of proficiency, will expect a great deal more involvement in both of these areas of activity if they are to be engaged by texts. Witness two main stream examples, the Star Wars films and the Harry Potter books and films, both of which have developed massive prosumer (or ‘superfan’) followings, and both of which have seen conflict between the film companies and the fans that are creating content.

I can almost feel the blood rising amongst the more traditional amongst my peers!

Go read Part One and Part Two

Enjoying good writing and lucid too,
Eoin

PS This news via Personanodata is both exciting and unsettling!

Eoin Purcell

It is going on over at Fidra Books
Vanessa posted a rather honest assessment of Faber’s POD move the other day:

Perhaps I’m being wary for no reason. Perhaps they will just reissue the really obscure titles that don’t have a potentially wide readership. Perhaps they will point out to copyright holders that other publishing houses exist that may do a better job in certain circumstances.

As ever some of the best stuff is in the comments but the whole post is fascinating casting light on an area of publishing that is growing more competitive as technology allows smaller houses compete with larger ones. It is also the area that seems to be driving concern over orphan works.

Had a fun day, that included some beach walking,
Eoin

PS This is post 501. I should really have done something to celebrate!

Eoin Purcell

Booktwo gives us a quick review of Authonomy (have a beta invite myself, will say more soon).
Here

Michael over at The Digitalist talks about the danger of hype for e-books. (Read the Comments)
Here

Smashwords is coming. I’ve seen this a bit and talked with the developers. Nice little program.
Here

Eoin Purcell

You think I’m joking!
But I’m not:

In a ranking of global publishers, the deal will take the combined group to just outside the top five, competing for sixth position with Hachette Livre. Significantly, it will be the only group in the top 10 not to have either a UK or US presence.

See,
Eoin

Eoin Purcell

Andrew Crawford of my favourite online retailer
Has a blog today over on The Bookseller. What I like about it is the way he happily turns book publishers worries on tehir heads and back again. For instance:

What should worry retailers is that publishers are the market makers: they filter, spot trends, create demand and even support retailers to promote their products. Large publishers are in a position to become better booksellers than some retailers, and this will be increasingly apparent with the take-up of electronic content.

Parried rather excellently by this bit:

Amazon has the power to connect an author to a large number of readers directly. Publishers truly add value, but it is not unfeasible for Amazon to acquire publishing talent to really beef up BookSurge’s proposition. Remember that Barnes & Noble bought Sterling Publishing and Spark­Notes, and now has a thriving classics line.

So I’m left wondering if I should be terrified or hopeful! Worth reading.

Not impressed by the return of Gladiators
Eoin